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Jeremiah Jae 1. Money “There’s a lot music that celebrates making money, and splurging if you have it. I’m inspired by those messages but at the same time don’t feel empowered. Money has set values, but to me there is no limit on human value. I’m rich without being rich. Even as we struggle, we grow. You are money. Invest…” So waxes Jeremiah Jae on the subject of “Money”, the first single from his epic Brainfeeder full-length Raw Money Raps. Over a soft focus guitar loop and spaced out snaps, Jae flips from sun-bleached croon to a rapid beat-riding flow and then a chopped & screwed slur that practically oozes codeine. These three vocal personae represent the songs three perspectives, says Jae, “1) The rich man expressing his disconnection with material life, 2) The poor man’s emotional struggle attaining and losing money, and 3) the dreamer who’s objective over everything is making money by any means necessary.” A (very) short film about alien archaeologists. music by Monopoly produced by Brainfeeder in association with strangelooptv.com enjoy! It wasn’t that long ago that Lapalux (a.k.a. Stuart Howard) was just another young UK producer perking up people’s ears with a hard-to-define mix of low-end-heavy, but undeniably experimental, sounds. Even when we tabbed him as a Bubblin’ Up artist last summer, largely on the strength on his then-fresh Many Faces Out of Focus EP, the full extent of his potential was only beginning to reveal itself. Then came this year’s When You’re Gone EP, released on Flying Lotus’ Brainfeeder imprint, which displayed a whole new level of sophistication and a real penchant for sonic whimsy. With this kind of skill at his disposal, we were curious to see exactly what Lapalux could do if tasked with putting together an exclusive mix for the XLR8R podcast series. Although he doesn’t actually DJ that often—he prefers to perform live—Lapalux quickly proves that’s he’s more than capable of assembling a compelling mix. His selections come from both sides of the Atlantic and could individually be tagged with an assortment of inadequate genre names—bass music, beat music, witch house, screw, experimental—but ultimately, it’s clear that they all bear some relationship to hip-hop while only rarely sounding anything like traditional rap music. He’s clearly taking notes from a rich palette of influences, and though this podcast still doesn’t allow us to put Lapalux in a neat little box, it does provide an interesting window into the sounds that make him tick. 01 Cepia “L2″ (Ghostly International) http://www.xlr8r.com/podcast/2012/04/lapalux We’d love for you to join us for a Brainfeeder Pool Party at Ace Hotel & Swim Club. Ras G, Samiyam, Jeremiah Jae, Mono/Poly, PBDY and some very special guests transport you into a state of immersion-enhanced euphoria with water and sound, accompanied by Stumptown Cold Brew Coffee and 42BELOW cocktails. The party is Friday, April 20, from 2-8pm in the Commune. 21+. RSVP includes entry to Brainfeeder event only. Free to hotel and spa guests and Swim Club pass holders. Day passes to the pool are 20 bones – includes all-day access to the pool & hot tub, gym, sauna and steam room. Brainfeeder is proud to announce the release of its latest music video “IV.10” directed by Beeple (Flying Lotus: Kill Your Co-Workers). Set in a colorful, playful world, every note, beat, and sound in the music comes to life as you hear it. With an original score by the director this film begs the question – “which came first…the music or the video?” In addition to the film, all of the 3D animation source files will be available for filmmakers to dissect, remix and generally fuck with. The project files can be downloaded at http://beeple-crap.com/resources.php Tagline: “Animate everything.” / Short Description: “Watch music literally come to life in this super-happy, turbo- fun world that shows exactly how every song is ever written – one note at a time.” BEEPLE BIO: Beeple is Mike Winkelmann, a graphic designer whose short films have screened at onedotzero, Prix Ars Electronica, the Sydney Biennale, Ann Arbor Film Festival and many others. He has also released a series of Creative Commons live visuals that have been used by electronic acts such as deadmau5, Tiësto, Girl Talk, The Glitch Mob, Amon Tobin, Wolfgang Gartner, Flying Lotus and many, many others. He currently releases work on Flying Lotus’ Brainfeeder imprint. please visit beeple-crap.com. |
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